WHEN GRAPHIC MEDICINE IS COMICS JOURNALISM: PANDEMIC STORIES IN COMIC STRIPS
Main Article Content
Abstract
Comic book genre, understood as "a juxtaposition of words and images, in a certain sequence, with the aim of communicating stories and ideas", has made the leap to health communication through what is known as Graphic Medicine, which combines the language of comic strips, with health information content, from graphic pathographies to autobiographical or informative stories. A, emerging and trendy concept. Also, historically, Comic Journalism has been considered as a mere reporting format, chronicle, or, according to some studies, as a subgenre of graphic journalism. Although it is clear that this "slow journalism", which, in the words of Joe Sacco, focuses on "the people who are under the headlines", is already something different, innovative and unique which goes beyond the theoretical and conceptual framework of journalistic genres, leaving these works in a complicated limbo to classify. Major newspapers and magazines such as The New Yorker, Details, Time, New York Time Magazine, XXI, El País, El Norte de Castilla... have used these non-fiction comics in the same way and at the same level as their reports, photographs or infographics. This global phenomenon has also been established, reaching the point of moving into first-rate informative or narrative proposals in traditional media, beyond the longest works of graphic novels. Comic Journalism and Graphic Medicine; two novel concepts that converge on a fine line, especially when in 2020, a global pandemic came to change everything. From then until now, several pieces on the limits of journalistic comics and graphic medicine have emerged all over the world. Along these lines, the following stand out in Spain: Side Effects. 19 covid comics, by AA.VV.; Pandemic, by AA.VV, and A Tale of Confinement, by Paco Roca. This text intends to delve into the use of journalistic comics in graphic medicine with the case study of the works that emerged during the COVID-19 pandemic, within these informative parameters, such as a new format, a new communication and health trend full of potential. A review; a roadmap of this new journalistic genre that is on the rise, slowly but surely, and its confluences with the concept of graphic medicine.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
The Journal of Communication of SEECI recognizes and promotes copyright rights, as well as the need to disseminate knowledge in an accessible and equitable manner. Our journal operates under a Creative Commons License CC BY-NC 4.0, which allows authors and users to:
- Share and Adapt: Copy, redistribute, and adapt the material published in the journal in any medium or format.
- Attribution: Properly acknowledge authorship and provide a link to the license, indicating if any changes have been made.
- Non-Commercial: Do not use the material for commercial purposes without the express permission of the authors and the journal.
- Authors retain copyright and may enter into non-exclusive agreements for self-archiving, deposit, or distribution of the publisher's version published in this journal, including institutional, national, or international repositories, and personal websites.
References
Arizmendi, M. (1975). El cómic. Editorial Planeta.
AA.VV. (2015). Graphic Medicine Manifesto. USA: The Pennsylvania State University Press.
AA.VV. (2021). Efectos secundarios. 19 historietas del covid. Astiberri.
AA.VV. (2021). Pandemia. Flow Press.
Bartual, R. (2013). Narraciones gráficas. Ediciones Factor Crítico.
Bartual, R. (2020). La secuencia gráfica. El cómic y la evolución de su lenguaje. Ediciones Marmotilla.
Eisner, W. (1998). El cómic y el arte secuencial. Norma Editorial.
Embury, G., y Minichiello, M. (2018). Reportaje ilustrado. Del dibujo al periodismo: referentes, técnicas y recursos. Gustavo Gili. DOI: https://doi.org/10.5040/9781474208475
Gasca, L. y Gubern, R. (1994). El discurso del cómic. Cátedra.
González Cabeza, I. (2017). Imágenes de la enfermedad en el cómic actual. Grafikalismos.
Guiral, A. (1998). Terminología (en broma pero muy en serio) de los cómics. Ediciones Funnies.
Gubern, R. (1972). El lenguaje de los cómics. Ediciones Península.
Matos, D. (2017). Periodismo cómic. Una historia del género desde los pioneros a Joe Sacco. Comunicación Social.
Matos, D. (2017). En la frontera del cómic periodístico: ¿Nuevas fórmulas?, en Gracia Lana, J. A., y Asión Suñer, A. (Eds.). Nuevas visiones sobre cómic. Un enfoque multidisciplinar, 245-250. Prensas de la Universidad de Zaragoza.
Matos, D. (2021). La realidad dibujada: El periodismo cómic en los medios españoles, en Gracia Lana, J. A., y Asión Suñer, A. (Eds.). Dibujando historias. El cómic más allá de la imagen, 259-268. Prensas de la Universidad de Zaragoza.
Mayor Serrano, MªB. (2018). Qué es la Medicina Gráfica. Revista Tebeosfera 3ª época,9.https://www.tebeosfera.com/documentos/que_es_la_medicina_grafica.html
McCloud, S. (2007). Entender el cómic. El arte invisible. Astiberri.
McCloud, S. (2016). Reinventar el cómic. Planeta Cómic.
Medicina Gráfica (17-04-2022). ¿Qué es Medicina Gráfica? https://medicinagrafica.wordpress.com/que-es-medicina-grafica/
Mitaine, B., Rodrigues, J., y Touton, I. (2021). Scoops en stock. Journalisme dessiné, BD-reportaje et dessin de presse. Georg Editeur.
Muro Munilla, M.A. (2004). Análisis e interpretación del cómic. Universidad de la Rioja.
Negro, L., Vela, V., y San Martín, I. (2021). Charly y la otra pandemia. De la herida económica de la COVID a la solidaridad vecinal. Suplemento Vivir de El Norte de Castilla (13-03-2021), 20-21. El Norte de Castilla.
Pissed off Readers (2013). Periodismo en viñetas (I): cómic objetivo. http://pissedoffreaders.com/es/noticias/periodismo-en-vinetas-i-una-breve-historia/
Roca, P. (2021). ¡Venceremos! Una Historia del Confinamiento. Bimedica.
Spencer Millidge, G. (2010). Diseño de cómic y novela gráfica. Parramón Ediciones.
Trabado Cabado J.M. (ed.) (2021). Lenguajes gráfico-narrativos. Especificidades, intermedialidades y teorías gráficas. Ediciones TREA.
Varillas, R. (2009). La arquitectura de las viñetas. Texto y discurso en el cómic. Viaje a Bizancio.