How are the immigrant characters in spanish series broadcasted on streaming platforms?

Main Article Content

Teresa Martín García
María Marcos Ramos
Beatriz González de Garay

Abstract

Introduction. The number of fiction series has increased considerably with the development of streaming platforms. At the same time, in recent years Spanish society has been transformed towards multiculturalism, as a result of new migratory processes.  However, this new audiovisual scenario has hardly been the subject of research studies, since the representation on platforms constitutes an area scarcely explored in the Spanish academic context. Therefore, the main objective of this research is to analyze the current representation of immigration in television series broadcast on the main streaming platforms. Methodology: For this purpose, a content analysis was carried out on 38 Spanish-created series, broadcast between 2017 and 2020, and on a total of 1509 characters (n=1509). Results: Among the main results of this work, it was found that immigrant characters are underrepresented and, when present, they hardly occupy leading roles. Together with the scarce presence of this type of characters, stereotypical features and characteristics in their forms of representation are appreciated. Discussion: Despite the presence of foreign/immigrant characters in Spanish production series, they are still a minority and their representation is biased and often stereotypical, as reflected, for example, by the significant relationship between the nationality of the character and the socioeconomic level with which he/she is represented.  For all these reasons, the new sphere of Spanish fiction series does not seem to reflect the Spanish sociocultural reality through its plots and characters.

Downloads

Download data is not yet available.

Article Details

How to Cite
Martín García, T. ., Marcos Ramos, M., and González de Garay, B. (2022). How are the immigrant characters in spanish series broadcasted on streaming platforms?. Revista de Comunicación de la SEECI, 55, 37–56. https://doi.org/10.15198/seeci.2022.55.e776
Section
Research article
Author Biographies

Teresa Martín García, Universidad de Salamanca

Teresa Martín García has a Ph.D. in Journalism and a Master's degree in Institutional and Business Communication from the Universidad Complutense de Madrid. She is also an expert in Gender and Communication from the Universidad Pontificia de Salamanca. She is currently an associate professor at the Universidad de Salamanca and a member of the Observatory of Audiovisual Content of the Universidad de Salamanca. Her lines of research focus on gender stereotypes in social networks and trends in digital marketing and corporate communication.

María Marcos Ramos, Universidad de Salamanca

María Marcos Ramos (Valladolid, 1979) has a degree in Audiovisual Communication from the Universidad del País Vasco and a Ph.D. in Audiovisual Communication (Extraordinary Doctorate Award) from the Universidad de Salamanca. She is a collaborating member of the Observatory of Audiovisual Content of the Universidad de Salamanca where she participates in different research works on the media and ethnic minorities. She is currently an assistant professor at the Universidad de Salamanca and a teacher at the American institution IES Abroad Salamanca.

Beatriz González de Garay, Universidad de Salamanca

Beatriz González de Garay is an Associate Professor at the Universidad de Salamanca, coordinator of the Unit for Affective-Sexual Diversity and Gender Identity, and a member of the Observatory of Audiovisual Content. She graduated with the Extraordinary End of Degree Award in Audiovisual Communication from the Universidad Carlos III of Madrid and a European Doctorate from the Universidad Complutense. Her main areas of research are gender and sexual diversity studies in television fiction, fields in which she has numerous academic publications and research projects, such as R+D+I LGBTI+ representation in Spanish serial fiction and effectiveness in the reduction of prejudices based on sexual orientation and gender identity (PID2019-110351RB-I00).

References

Abad, A., Fernández, C. (2018). Inmigrantes en las series de televisión Aída y La que se avecina. Entre la parodia y los prejuicios, Ámbitos: Revista internacional de comunicación, 40.

Bardín, L. (1986). Análisis de Contenido. Akal.

Biscarrat, L., Meléndez, N. (2014). De la exclusión a la heteronomía. Inmigrantes en la ficción televisiva Aída, Icono 14, 12(1), 319-346. https://doi.org/10.7195/ri14.v12i1.566 DOI: https://doi.org/10.7195/ri14.v12i1.566

Consejo para la Eliminación de la Discriminación Racial o Étnica. CEDRE (2020). Percepción de la discriminación por origen racial o étnico por parte de sus potenciales víctimas en 2020. https://www.igualdad.gob.es/comunicacion/notasprensa/Paginas/solo-el-18-2-de-las-personas-que-han-experimentado.aspx

Define American (2021). Change the Narrative, Change the World. https://download.defineamerican.com/2020/09/Change-the-Narrative-Change-the-World.pdf

De Sousa, B. (2021, 11 de mayo). La política del color: el racismo y el colorismo. Público. https://blogs.publico.es/espejos-extranos/2021/05/11/la-politica-del-color-el-racismo-y-el-colorismo/

Galán, E. (2006). La representación de los inmigrantes en la ficción televisiva en España. Propuesta para un análisis de contenido. El Comisario y Hospital Central. Revista Latina de Comunicación Social, 61.

Gómez, B. (2021, 17 de junio). La piel oscura sigue siendo un problema en Hollywood: polémica por la falta de diversidad en el filme latino del año. El País. https://smoda.elpais.com/moda/actualidad/problema-piel-oscura-hollywood/

Gómez-Quintero, J., Aguerri, J., & Gimeno-Monterde, C. (2021). Representaciones mediáticas de los menores que migran solos: Los MENA en la prensa española. Comunicar, 66, 95-105. https://doi.org/10.3916/C66-2021-08 DOI: https://doi.org/10.3916/C66-2021-08

Igartua, J.J., Ortega, F., Barrios, I., Camarero, E., Alvidrez, S., Marcos, M., Piñeiro, V. (2011). La imagen de la inmigración en la ficción televisiva de prime time. Un estudio de análisis de contenido. En: F. J. García Castaño y N. Kressova. (Coords.). Actas del I Congreso Internacional sobre Migraciones en Andalucía (pp. 219-228). Granada: Instituto de Migraciones.

Igartua, J.J. (2006) Métodos cuantitativos de investigación en Comunicación. Bosch.

INE (2021). Cifras de población / Indicadores demográficos básicos. Datos provisionales a 1 de enero de 2021. https://www.ine.es/

INE (2021). Delitos según nacionalidad. https://www.ine.es/jaxiT3/Tabla.htm?t=26014

Krippendorff, K. (1990). Metodologia de análisis de contenido. Teoría y práctica. Paidós.

Martínez Ferro, V. (2017). Libertad de expresión y seguridad: un análisis del discurso periodístico sobre inmigración. Barataria. Revista Castellano-Manchega De Ciencias Sociales, 23, 87-102. https://doi.org/10.20932/barataria.v0i23.349 DOI: https://doi.org/10.20932/barataria.v0i23.349

Martínez Lirola, M. (2013). Hacia una deconstrucción del racismo discursivo: el caso de los inmigrantes subsaharianos, Estudios Sociales, XLI(154), 53-67.

Lovejoy, J., Watson, B., Lacy, S., Riffe, D. (2016). Three Decades of Reliability in Communication Content Analyses: Reporting of Reliability Statistics and Coefficient Levels in Three Top Journal. Communication Studies Faculty Publications and Presentations, 9. https://pilotscholars.up.edu/cst_facpubs/9 DOI: https://doi.org/10.1177/1077699016644558

Marcos, M., González, B., Portillo, C. (2019). La representación de la inmigración en la ficción serial española contemporánea de prime time. Revista Latina de Comunicación Social, 74, 285-307. https://doi.org/10.4185/RLCS-2019-1331 DOI: https://doi.org/10.4185/RLCS-2019-1331

Marcos, M., Igartua Perosanz, J. J., Frutos Esteban, F. J., Barrios Vicente, I. M., Ortega Mohedano, F., & Piñeiro Naval, V. (2014). La representación de los personajes inmigrantes en los programas de ficción. Vivat Academia, 127, 43-71. https://doi.org/10.15178/va.2014.127.43-71 DOI: https://doi.org/10.15178/va.2014.127.43-71

Marcos, M. (2014). La imagen de los inmigrantes en la ficción televisiva de prime time. Análisis y recomendaciones para los profesionales. Doxa Comunicación. Revista Interdisciplinar De Estudios De Comunicación Y Ciencias Sociales, 18, 206.

Mastro, D.; Greenberg, B. (2000). The portrayal of racial minorities on prime time television. Journal of broadcasting and electronic media, 44(4), 690-703. https://doi.org/10.1207/s15506878jobem4404_10 DOI: https://doi.org/10.1207/s15506878jobem4404_10

Rodríguez, E. (2018). La construcción social de la imagen de la inmigración en los medios de comunicación online. Doxa Comunicación. Revista Interdisciplinar De Estudios De Comunicación Y Ciencias Sociales, 27, 457.

Romero, L., de Casas, P., Maraver, P., Pérez, M. A. (2018). Representaciones y estereotipos latinoamericanos en las series españolas de prime time (2014-2017), Convergencia, 25, 78. https://doi.org/10.29101/crcs.v25i78.9162 DOI: https://doi.org/10.29101/crcs.v25i78.9162

Ruíz, E. (2018 9 de junio). La diversidad racial en las series españolas, asignatura pendiente. El País. https://elpais.com/cultura/2018/05/22/television/1526986963_388873.html

Van Dijk, T. (2010). Análisis del discurso del racismo. Crítica y emancipación, II(3), 65-94.