Musical performative education: research tools

Main Article Content

Ana María Botella Nicolás
Guillem Escorihuela Carbonell

Abstract

This article aims to provide the teacher with tools to address the reality of the instrumental practice class. Through the methodology of quantitative and qualitative complementation, it is appreciated how this is the most indicated solution for this type of research. From a reflection on the instrumental music class and the research in didactic of the instruments, the questionnaire is revealed as the most complete tool to know the attitude of the teaching staff about the teaching praxis. Reviewing some research on performative education provides examples that allow teachers to face the challenges of music education in the 21st century. Therefore, the methodology is based on a literature review of primary and secondary sources on what the most influential authors have written in the field of performative education. This publication wants to emphasize the importance of educational research in the field of music, especially in instrumental teaching, which is so lacking in reflection today. Therefore, the original of the text is found in the examples that are presented as models for teachers who want to implement a search in their own teaching.

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How to Cite
Botella Nicolás, Ana María, and Guillem Escorihuela Carbonell. 2021. “Musical performative education: research tools”. Revista de Comunicación de la SEECI, no. 54 (April):1-19. https://doi.org/10.15198/seeci.2021.54.e614.
Section
Research article
Author Biographies

Ana María Botella Nicolás, University of Valencia

Doctor in pedagogy from the University of Valencia. She has a degree in Geography and History, specializing in Musicology, and is a teacher in Music Education, from the University of Oviedo. She has a professional degree in the specialty of the piano. During 2001, she obtained by opposition, a position in the body of secondary school music teachers in Alicante (currently on a leave of absence). She has presented various communications at conferences and congresses on music didactics as well as various publications. She is an associate professor of the department of didactics of Musical, Plastic, and Body Expression of the Faculty of Teaching of the University of Valencia. She is part of the Academic Coordination Commission of the University Master's Degree in Secondary Education Teacher of the UVEG and the Master's Degree in Research in Specific Didactics.

Guillem Escorihuela Carbonell, Higher Institute of Artistic Education (ISEACV)

Doctor in Music Didactics from the University of Valencia. He has a Superior degree in Music in the specialty of Transverse Flute by the Superior Conservatory of Valencia. Master's Degree in Teacher of Secondary Education and Master's Degree in Research in Specific Didactics from the University of Valencia. University Master's Degree in Musical Interpretation from the International University of Andalusia. Since 2015 he has been a professor in the Department of Orchestra and Chamber Music of the Superior Conservatory of Music of Castellón, where he is in charge of coordinating the Cultural Activities of the center.

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