Communication and Theatre. The Theatrical Game as a Tool for the Treatment of Linguistic Difficulties in Primary Students
Main Article Content
Abstract
The use, in the room, of dramatic activities, will allow that all the students develop their artistic abilities; being more confident to express their feelings and emotions; imagination, voice and movement will become more agile and certain; they will find more communication tools and they will work in a more enjoyable way on the objectives and contents of the curriculum. Thus, it will become a very valuable tool when working with students with specific educational support needs. Because this tool becomes a prize for the children who, due to their physical, mental or emotional characteristics, see how their way of communication and contact to the surrounding world gets reduced. But the really important thing is showing that theatre has to be alive, original and fun. It has to become a resource and a purpose itself. It has to be a tool and a reward, both for the student and the teacher.
Downloads
Article Details
The Journal of Communication of SEECI recognizes and promotes copyright rights, as well as the need to disseminate knowledge in an accessible and equitable manner. Our journal operates under a Creative Commons License CC BY-NC 4.0, which allows authors and users to:
- Share and Adapt: Copy, redistribute, and adapt the material published in the journal in any medium or format.
- Attribution: Properly acknowledge authorship and provide a link to the license, indicating if any changes have been made.
- Non-Commercial: Do not use the material for commercial purposes without the express permission of the authors and the journal.
- Authors retain copyright and may enter into non-exclusive agreements for self-archiving, deposit, or distribution of the publisher's version published in this journal, including institutional, national, or international repositories, and personal websites.
References
CASTELLANOS, , M.J. (2002). Tratamiento de la tartamudez en niños. Jornadas Grupo Luria 2002. Disponible en www.luriapsicologia.com
CAÑAS, J. (1993). Actuando, guía didáctica para jugar contigo al teatro. Barcelona, Octaedro.
CAÑAS, J. (1999). Actuar para ser. Tres experiencias de taller-teatro en la escuela y una guía-práctica. Granada. Ediciones mágina/octaedro, s.l.
GOETZ, J.P. y LECOMPTE, M.D. (1988). Etnografía y diseño cualitativo en investigación educativa. Madrid. Morata
GUARDIAN-FERNÁNDEZ, A. (2007). El Paradigma Cualitativo en la investigación socio-educativa. San José. Ider.
MARTINEZ, B. y otros. (2008). Didáctica de los trastornos del ritmo en Primaria: La Disfemia. Málaga. Ediciones Guillermo Castilla. Disponible en http://www.alhaurin.com/pdf/2012/04.pdf
MEDINA, A. y CASTILLO, S. (2003). Metodología para la realización de proyectos de investigación y tesis doctorales. Sánchez Romero, Capítulo 11: Complementariedad metodológica en los proyectos de investigación. Madrid. Univérsitas
RODRIGUEZ, J. Tesis Doctoral: Discursos, poder y saber en la formación permanente: La perspectiva del profesorado sobre la integración curricular de las TIC. Universidad de Alcalá
SÁNCHEZ, D. (2007). La dramatización en Educación Primaria como eje de aprendizaje lúdico-creativo. Málaga. Universidad de Málaga
VIGOTSKY, L. (1934). Pensamiento y lenguaje. Buenos Aires, Fausto.