An analysis of Steven Spielberg’s screen adaptation of Schindler’s list

Main Article Content

José Díaz-Cuesta

Abstract

This journal article deals with the problem of Steven Spielberg’s screen adaptation of Thomas Kenally’s novel Schindler’s List, originally published as Schindler’s Ark in 1982. Firstly we focus on Herbert Steinhouse’s journalistic account of the story, published in 1995, but supposedly written more than thirty years before. Steinhouse’s account centres around Oskar Schindler, without mentioning Amon Goeth: he does tell how Schindler influenced on the killing of the local SS commander. Keneally’s story is not based on Steinhouse’s account, but on what is orally told to him firstly by Leopold Page (previously known as Pfefferberg) and then by other survivors he interviews. Spielberg departs from Keneally’s novel, which is complemented by other oral accounts from witnesses of the dramatic events that are told. Although the film includes some fictitious elements —especially near its end—, it does manage to faithfully retell Keneally’s novel, whose main structure coincides with Steinhouse’s account.

Downloads

Download data is not yet available.

Article Details

How to Cite
Díaz-Cuesta, J. (2005). An analysis of Steven Spielberg’s screen adaptation of Schindler’s list. Revista de Comunicación de la SEECI, (10), 30–52. https://doi.org/10.15198/seeci.2003.10.30-52
Section
Articles
Author Biography

José Díaz-Cuesta, CILAP, Universidad de La Rioja

Profesor Contratado Doctor del área de Filología Inglesa en la Universidad de La Rioja (España), y Responsable de la Unidad de Audiovisuales de la Facultad de Letras y de la Educación de esta institución. Su investigación se centra en el estudio de las representaciones de masculinidades en textos literarios y fílmicos de autores anglo-norteamericanos, así como en las relaciones que se establecen entre ambos tipos de textos. Es autor de la monografía Hombres de Steven Spielberg (2010), y ha editado, junto con Paula Requeijo Rey, el libro Innovar en el EEES a través de la investigación (2012).

References

ANSEN, David (1995): “Spielberg’s Obsession” en FENSCH, Thomas (ed.): Oskar Schindler and His List: The Man, the Book, the Film, the Holocaust and Its Survivors (pp. 56-64). Paul S. Eriksson. Forest Dale, Vermont. [Publicado originalmente en (1995):en Revista Newsweek, 20 de diciembre].

BRANIGAN, Edward R. (1992): Narrative Comprehension and Film. Routledge. Londres y Nueva York.

BRECHER, Elinor J. (1994): Schindler’s Legacy. Hodder & Stoughton. Londres.

BRESHEETH, Haim (1997): “The Great Taboo Broken: Reflections on the Israeli Reception of Schindler’s List” en LOSHITZKY, Yosefa (ed.): Spielberg’s Holocaust: Critical Perspectives on Schindler’s List (pp. 192-212). Indiana University Press. Bloomington e Indianápolis.

COPPOLA, Francis Ford (dir.) (1983): Rumble Fish. Hotweather Films y Zoetrope Studios. EE.UU. [Título traducido en España como La ley de la calle].

FENSCH, Thomas (1995a): “The Journalist Who Knew Oskar Schindler: An Interview with Herbert Steinhouse” en FENSCH, Thomas (ed.): Oskar Schindler and His List: The Man, the Book, the Film, the Holocaust and Its Survivors (pp. 3-19). Paul S. Eriksson. Forest Dale, Vermont.

FENSCH, Thomas (ed.) (1995b): Oskar Schindler and His List: The Man, the Book, the Film, the Holocaust and Its Survivors. Paul S. Eriksson. Forest Dale, Vermont.

GIANNETTI, Louis (1996): Understanding Movies. Prentice Hall International. Nueva York.

KENEALLY, Thomas (1993) [1982]: Schindler’s List. Hodder and Stoughton. Londres. [Publicado originalmente como Schindler’s Ark].

LANHAM, Fritz (1995): “Keneally’s Luck” en FENSCH, Thomas (ed.): Oskar Schindler and His List: The Man, the Book, the Film, the Holocaust and Its Survivors (pp. 41-44). Paul S. Eriksson. Forest Dale, Vermont. [Publicado originalmente en (1995): en Periódico Houston Chronicle, 24 de abril].

LEHRER, Natasha (1997): “Between Obsession and Amnesia: Reflections on the French Reception of Schindler’s List” en LOSHITZKY, Yosefa (ed.): Spielberg’s Holocaust: Critical Perspectives on Schindler’s List (pp. 213-225). Indiana University Press. Bloomington e Indianápolis.

PONCE, Pedro E. (1995): “Making Novels of Life’s Ethical Dilemmas” en FENSCH, Thomas (ed.): Oskar Shchindler and His List: The Man, the Book, the Film, the Holocaust and Its Survivors (pp. 38-40). Paul S. Eriksson. Forest Dale, Vermont. [Publicado originalmente en (1994): en Revista The Chronicle of Higher Education, 2 de febrero].

SEGER, Linda (1993): El arte de la adaptación. Rialp. Madrid. [Traducción de Albert Méndiz. Publicado originalmente en (1992): The Art of Adaptation. Henry Cold and Company, Inc. Nueva York].

SPIELBERG, Steven (dir.) (1972): Duel. Universal TV. EE.UU. [Estrenada previamente el 13 de noviembre de 1971 en una versión más breve para la televisión. Título traducido en España como El diablo sobre ruedas].

SPIELBERG, Steven (dir.) (1982): E.T. The Extraterrestrial. Universal Pictures. EE.UU. [Título traducido en España como E.T. El extraterrestre].

SPIELBERG, Steven (dir.) (1987): Empire of the Sun. Amblin Entertainment y Warner Bros. Pictures. EE.UU. [Título traducido en España como El imperio del sol].

SPIELBERG, Steven (dir.) (1993): Schindler´s List. Amblin Entertainment y Universal Pictures. Estados Unidos. [Título traducido en España como La lista de Schindler].

STEINHOUSE, Herbert (1995): “The Man Who Saved a Thousand Lives” en FENSCH, Thomas (ed.): Oskar Shchindler and His List: The Man, the Book, the Film, the Holocaust and Its Survivors (pp. 20-35). Paul S. Eriksson. Forest Dale. Vermont.

THOMPSON, Anne (1995): “Making History: How Steven Spielberg Brought “Schindler’s List” to Life” en FENSCH, Thomas (ed.): Oskar Shchindler and His List: The Man, the Book, the Film, the Holocaust and Its Survivors (pp. 65-74). Paul S. Eriksson. Forest Dale. Vermont. [Publicado originalmente en (1994): en Revista Entertainment Weekly, 21 de enero].

WEISSBERG, Liliane (1997): “The Tale of a Good German: Reflections on the German Recepction of Schindler’s List” en LOSHITZKY, Yosefa (ed.): Spielberg’s Holocaust: Critical Perspectives on Schindler’s List (pp. 171-192). Indiana University Press. Bloomington e Indianápolis.